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Biographical Information Benstock, Shari. "Djuna Barnes: Rue St.-Romain." Women of the Left Bank: Paris, 1900-1940. Austin: U of Texas
P, 1986. 230-67. ---. Djuna,
The Formidable Miss Barnes. Austin: U of Texas P, 1985. O'Neal, Hank. "Life is painful, nasty & short--in my case it has only been painful and nasty": Djuna Barnes, 1978-1981: An Informal Memoir. New York: Paragon House Publishers, 1990. Issues
of Sexuality in Barnes's Texts Cultural
Criticism. Eds. Susan J. Wolfe and Julia Penelope. Cambridge: Blackwell,
1993. 184-198. America: Mediators of European Culture and Literature. 79-87. Michel, Frann. "'I just loved Thelma'': Djuna Barnes and the Construction of Bisexuality." Review of Contemporary Fiction: Djuna Barnes 13.3 (1993): 53-61. Gilbert, Sandra. "Costumes of the Mind: Transvestism as Metaphor in Modern Literature." Critical Inquiry 7 (1980):
391-417. Review: A Quarterly of Literature, the Arts, and Public Affairs 22.4 (1981): 477-508. Herring, Phillip F. "Djuna Barnes and the Narrative of Violation." Modes of Narrative: Approaches to American, Canadian, and British Fiction. Wurzburg: Konigshausen and Neumann, 1990. 100-109. ---. "'This is obscene': Female Voyeurism, Sexual Abuse, and Maternal Power in The Dove." Review of Contemporary
Fiction: Djuna Barnes 13.3 (1993): 97-106. 28.4 (1995): 81-91. Kent, Kathryn R. "Ryder as Contraception: Barnes v. the Reproduction of Mothering." Review of Contemporary Fiction: Djuna Barnes. 13.3 (1993): 97-106. Levine, Nancy J. "'I've always suffered from sirens': The Cinema Vamp and Djuna Barnes' Nightwood." Women's Studies
16 (1989): 70-88. Carlston, Erin G. "'The Learned Corruption of Language': Nightwood's Failed Flirtation with Fascism." Thinking Fascism:
Sapphic Modernism and Fascist Modernity. Stanford: Stanford
UP, 1998. 42-85. Literature
69.1 (1997): 167-206. Anglistik
und Amerikanistik 23.2 (1998): 239-57. Fiction
13.3 (1993): 33-40. 10.3 (1999): 266-82. Harper, Phillip Brian. Framing the Margins: The Social Logic of Postmodern Culture. New York: Oxford UP, 1994. Miller, Tyrus. Late Modernism: Politics, Fiction, and the Arts between the Wars. Berkeley: U of California P, 1999. Review
9.3 (1998): 266-77. Contemporary
Fiction 13.3 (1993): 41-52. Directions
in Feminist Criticism. Ed. Lisa Rado. New York: Garland, 1994. 209-30. 1910s and 1920s." Unmanning Modernism: Gendered Re-Readings. Eds. Elizabeth Jane Harrison and Shirley Peterson.
Knoxville: U of Tennessee P, 1997. 153-67. 58-74. Subversion
and Experimentation in Barnes's Texts Allen, Paula Smith. Metamorphosis and the Emergence of the Feminine: A Motif of "Difference" in Women's Writing. New York: P. Lang, 1999. Baird, James. "Djuna Barnes and Surrealism: 'Backward Grief.'" Individual and Community: Variations on a Theme
in American Fiction. Eds. Kenneth H. Baldwin and David K. Kirby. Durham:
Duke UP, 1975. 160-81. (2000):
134-60. Barnes."
Mosaic 30.3 (1997): 21- 38. 1991. Experimental
Fiction. Eds. Ellen G. Friedman and Miriam Fuchs. Princeton: Princeton
UP, 1989. 129-39. Bibliographical Essays. Westport, CT: Greenwood, 1983. 135-166. Horner, Avril. "'A Detour of Filthiness': French Fiction and Djuna Barnes's Nightwood." European Gothic: A Spirited Exchange, 1760-1960. Manchester, England: Manchester UP, 2002. 230-51. Loeffelholz, Mary. Experimental Lives: Women and Literature, 1900-1945. New York: Twayne Publishers, 1992. Schneider, Lissa. "Spectacular Confessions: 'How it feels to be forcebly fed.'" Review of Contemporary Fiction: Djuna Barnes 13.3 (1993): 41-52. |
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