Bibliographie (auf deutsch)
BEHIND THE WALL: EAST GERMAN CINEMA

FILM IN DER DDR

Der DEFA-Film: Erbe oder Episode? Augen-Blick 14 (Marburg 1993).

Film in der DDR.Reihe Hanser 13. München: Hanser, 1977.

Filmland DDR. Ein Reader zu Geschichte, Funktion und Wirkung der DEFA. Hrsg. Harry Blunk u. Dirk Jungnickel. Köln: Verlag Wissenschaft und Politik, 1990.

Gegenbilder: Filmische Subversion in der DDR 1976-1989. Texte Bilder Daten. Hrsg. Karin Fritzsche u. Claus Löser.

Berlin: Janus Press, 1996.

Gersch, Wolfgang. "Film in der DDR. Die verlorene Alternative." In: Geschichte des deutschen Films. Hrsg. Wolfgang

Jacobsen, Anton Kaes u. Hans Helmut Prinzler. Stuttgart: Verlag J.B. Metzler, 1993. 323-364.

Sander, Helke u. R. Schlesier, "'die legende von paul und paula': eine frauenverachtende schnulze aus der DDR." frauen und

film Nr. 2, September 1974.

Das zweite Leben der Filmstadt Babelsberg DEFA-Spielfilme 1946-1992. Red. Ralf Schenk. Berlin: Henschel, 1994.

ALLGEMEINE LITERATUR ¨UBER FILM

Bauschinger, Sigrid, et al. Film und Literatur. Literarische Texte und der neue deutsche Film. Berne: Francke, 1984.

Eisner, Lotte. L'Ecran Demonique. Paris: Le Terrain Vague, 1952. (trans., Die dämonische Leinwand.).

Kaes, Anton. Deutschlandbilder: Die Wiederkehr der Geschichte als Film. München: edition text+kritik, 1987.

Kracauer, Siegfried. Das Ornament der Masse. Frankfurt am Main: Suhrkamp, 1977.

Kracauer, Siegfried. Von Caligari zu Hitler. Eine psychol. Geschichte des deutschen Films. Suhrkamp, 1984 (zuerst '47).

Kreimeier, Klaus. Kino und Filmindustrie in der BRD. Ideologieproduktion und Klassenwirklichkeit nach 1945. Kronberg: Scriptor Verlag, 1973.

Kurowski, Ulrich, Hrsg.. . . . nicht mehr fliehen. Kino in der Ära Adenauer. München: Filmmuseum, 1979.

Neumann, Hans-Joachim. Der deutsche Film heute. Frankfurt/Berlin: Ullstein Verlag, 1986.

Pflaum, H.G. and H.H. Prinzler. Film in der Bundesrepublik Deutschland. Der neue deutsche Film von den Anfängen bis zur Gegenwart. Ein Handbuch. Bonn: Internationes, 1985.

FILMANALYSE

Faulstich, Werner. Einführung in die Filmanalyse. Tübingen: Gunter Narr Verlag, 1978.

FILMTHEORIE

Kaes, Anton. Kino-Debatte. Tübingen: Max Niemeyer, 1978.

Witte, Karsten, Hrsg. Theorie des Kinos. Frankfurt am Main: Suhrkamp, 1973.

FRAUEN IN DER NAZIZEIT

Wolf, Christa. Kindheitsmuster. East Berlin: Aufbau, 1976.

FEMINISTISCHE THEORIE

Bovenschen, Sylvia. Die imaginierte Weiblichkeit.

Brinker-Gabler, Gisela. Zur Psychologie der Frau. Die Frau in der Gesellschaft--Frühe Texte. Fischer, 1978.

Frauen. Kursbuch 47. Hrsg. Karl Markus Michel und Harald Wieser. März 1977.

Stefan, Verena. Häutungen. München: Frauenoffensive, 1975.

Theweleit, Klaus. Männerphantasien. 2 vols. Frankfurt: Verlag Roter Stern, 1977, 1979.

Wiggershaus, Renate. Geschichte der Frauen und der Frauenbewegung. Wuppertal: Peter Hammer Verlag, 1979.

FEMINISTISCHE FILMTHEORIE

Frauen hinter der Kamera: Postmoderne im Kino. Filmstelle VSETH/VSU. 1988.

Lukasz-Aden, Gudrun und Christel Stobel. Der Frauenfilm. München: Heyne, 1985.

Lust und Elend: Das erotische Kino. München: Bücher, 1981.

Möhrmann, Renate. Die Frau mit der Kamera: Filmemacherinnen in der Bundesrepublik. München: Hanser, 1980.

ZEITSCHRIFTEN

Cinegraph, Frauen und Film, LiLi

Dr. Sandy Frieden

Selected Bibliography (English)
BEHIND THE WALL: EAST GERMAN CINEMA

EAST GERMANY

von Ankum, Katharina. "Political Bodies: Women and Re/Production in the GDR." Women in German Yearbook 9. Eds.

J. Clausen and S. Friedrichsmeyer. Lincoln: U. of Nebraska Press, 1993. 127-144.

Berghahn, V.R. Modern Germany: Society, Economy & Politics in the Twentieth Century. Cambridge: Cambridge UP, 1982.

Burant, Stephen, ed. East Germany: A Country Study. Federal Research Division, Library of Congress. Washington DC: U.S.

Govt. Printing Office, 1988.

Craig, Gordon. "Politics in a New Key." "Literature and Society." In his The Germans. New York: Meridian, 1991.

Fulbrook, Mary. Anatomy of a Dictatorship: Inside the GDR 1949-1989. Oxford: Oxford Univ. Press, 1995.

Hell, Julia. Post-Fascist Fantasies: Psychoanalysis, History and the Lit. of East Germany. Durham, NC: Duke UP, 1997.

Herminghouse, Patricia. "Legal Equality and Women's Reality in the German Democratic Republic." In: German Feminism:

Readings in Politics and Literature. Eds. E. Altbach et al.. Albany: State Univ. of NY Press, 1984.

Special Section, The Economist: "A Survey of Germany. Divided Still." Nov. 9-15th, 1996.

Sudau, Christel. "Women in the GDR." New German Critique 13 (Winter 1978). 69-82.

EAST GERMAN FILM

Allan, Sean & John Sandford, ed.. DEFA: East German Cinema, 1946-1992. New York: Berghahn, 1999.

Bahr, Gisela. "Film and Consciousness: The Depiction of Women in East German Movies." In: Sandra Frieden, et al., eds.,

Gender and German Cinema: Feminist Interventions. Vol. 1. Providence: Berg, 1993. 125-40.

Bisky, Lothar. "Mass Media and the Socialization of Young People in the GDR." Studies in GDR Culture and Society 7. Lanham, MD: Univ. Press of America, 1987.

Byg, Barton. "What Might Have Been: DEFA Films of the Past and Future." Cineaste 17.4 (Summer 1990): 9-15.

The Cinema of Eastern Germany: The View from North America. DEFA Conference Reading Packet. Univ. of Massachusetts

DEFA Film Library, October 1997.

Kino, Special Issue 64/65 (September 1997).

Kohlhaase, Wolfgang. "Some Remarks about GDR Cinema." Studies in GDR Culture and Society 7. Lanham, MD: Univ.

Press of America, 1987.

Leonhard, Sigrun D. "Testing the Borders: East German Film Between Individualism and Social Commitment." Post New

Wave Cinema in the Soviet Union and Eastern Europe. Ed. Daniel J. Goulding. Bloomington: Indiana U. P. 1989.

Liehm, Mira and Antonin J. Liehm. The Most Important Art: Soviet Union and Eastern European Film After 1945. Berkeley:

U. of California Press, 1977. (Sections on East German Film and Socialist Realism)

Silberman, Marc. "Post-Wall Documentaries: New Images from a New Germany?" Cinema Journal 33.2 (Winter 1994): 22-41.

Silberman, Marc. "Semper fidelis: Staudte's The Subject (1951)." In German Film and Literature: Adaptations and Transformations. Eric Rentschler, ed. New York: Methuen, 1986. 146-60.

GERMAN FILM--GENERAL

Corrigan, Timothy. New German Film: The Displaced Image. Austin: Univ. of Texas Press, 1983.

Eisner, Lotte. The Haunted Screen. Berkeley: Univ. of Calif. Press, 1965.

Elsaesser, Thomas. A History of New German Cinema. Rutgers Univ. Press, 1989.

Frieden, Sandra, R. McCormick, V. Petersen, L.M. Vogelsang. Gender and German Cinema. Providence: Berg, 1993.

Kaes, Anton. From Hitler to Heimat: The Return of History as Film. Cambridge: Harvard Univ. Press, 1989.

New German Critique, No. 24-25, Fall/Winter 1981-2. Spec. Dbl.Issue on New German Cinema.

Pflaum, H.G. and H.H. Prinzler. Cinema in the Federal Republic of Germany. Bonn: Internationes, 1983.

Phillips, Klaus. New German Filmmakers. New York: Ungar, 1984.

Rentschler, Eric, ed. German Film and Literature. New York: Methuen, 1986.

Rentschler, Eric, West German Film in the Course of Time. New York: Redgrave, 1984.

Sandford, J. The New German Cinema. London: O. Wolff, 1980.

Silberman, Marc. German Cinema: Texts in Context. Detroit: Wayne State University Press, 1995.

Wide Angle, Vol. 3, No. 4, 1980. Special Issue on New German Cinema.

CINEMATIC TECHNIQUES

Bordwell, David & Kristin Thompson. Film Art: An Introduction. Reading: Addison-Wesley, 1979.

Monaco, James. How to Read a Film. New York: Oxford Univ. Press, 1977.

Withers, Robert S. Introduction to Film. New York: Barnes & Noble, 1983.

GENERAL FILM THEORY

Andrew, J. Dudley. Concepts in Film Theory. New York: Oxford Univ. Press, 1984.

Andrew, J. Dudley. The Major Film Theories: An Introduction. NY: Oxford Univ. Press, 1976.

Luhr, William and Peter Lehman. Authorship and Narrative in the Cinema. New York: Putnam, 1977.

Mast, Gerald and Marshall Cohen. Film Theory & Criticism. New York: Oxford Univ. Press, 1977.

Nichols, Bill. Ideology and the Image: Social Representation in the Cinema and Other Media. Bloomington: In. U.P., 1981.

Wollen, Peter. Signs and Meaning in the Cinema. Bloomington: Indiana Univ. Press, 1972.

WOMEN IN NAZI GERMANY

Bridenthal, Renate, Atina Grossmann and Marion Kaplan, eds. When Biology Became Destiny: Women in Weimar and Nazi Germany. New York: Monthly Review Press, 1984.

French, Marilyn. Beyond Power. On Women, Men and Morals. NY: Summit, 1985.

Koonz, Claudia. Mothers in the Fatherland. Women, The Family, and Nazi Politics. NY: St. Martin's Press, 1987.

Stephenson, Jill. Women in Nazi Society. London: C. Helm, 1975.

Wolf, Christa. Patterns of Childhood. Trans. U. Molinaro/H. Rappolt. NY: Farrar, Straus and Giroux, 1980.

FEMINIST THEORY--GENERAL

Altbach, Edith, et al. German Feminism: Readings in Politics and Literature. Albany: State Univ. of New York Press, 1984.

de Beauvoir, Simone. The Second Sex. New York: Bantam, 1961.

Friedan, Betty. The Feminine Mystique. New York: Dell, 1963.

Gilligan, Carol. In a Different Voice: Psych. Theory and Women's Development. Cambridge: Harvard Univ. Press, 1982.

Horney, Karen. Feminine Psychology. New York: Norton, 1967.

Stefan, Verena. Shedding. Trans. Johanna Moore and Beth Weckmueller. New York: Daughters Publishing Co., 1978.

FEMINIST FILM & FILM THEORY/GENDER STUDIES

de Lauretis, Teresa. Alice Doesn't: Feminism, Semiotics, Cinema. Bloomington: Indiana U.P., 1984.

Doane, Mary Ann. The Desire to Desire: The Woman's Film of the 1940s. Bloomington: Indiana Univ. Press, 1987.

French, Brandon. On the Verge of Revolt: Women in American Films of the Fifties. NY: Ungar, 1978.

Haskell, Molly. From Reverence to Rape: The Treatment of Women in the Movies. Baltimore: Penguin, 1974.

Kaplan, E. Ann. Women & Film: Both Sides of the Camera. New York: Methuen, 1983.

Kay, Karyn & Gerald Peary. Women and the Cinema. New York: Dutton, 1977.

Kosta, Barbara. Recasting Autobiography: Women's Counterfictions in Contemp. Germ. Lit/ Film. Ithaca: Cornell U.P, 1994.

Kuhn, Annette. Women's Pictures: Feminism & Cinema. Boston: Routledge & Kegan Paul, 1982.

McCormick, Richard. Politics of the Self: Feminism and the Postmodern in West Germ. Lit. & Film. Princeton U.P., 1991.

McCreadie, Marsha. Women on Film: The Critical Eye. New York: Praeger, 1983.

Mellen, Joan. Women and their Sexuality in the New Film. New York: Laurel, 1973.

Petro, Patrice. Joyless Streets: Women & Melodramatic Representation in Weimar Germany. Princeton U.P., 1989.

Rosen, Marjorie. Popcorn Venus. New York: Avon, 1974.

Theweleit, Klaus. Male Phantasies. Minneapolis: U. of Minnesota Press.

JOURNALS

New German Critique (14, 24-5, 32-3, 34), Jump Cut, Camera Obscura, Discourse, Screen, Monthly Film Bulletin, Sight& Sound