Making and Unmaking Intellectual Property
     Edited by Mario Biagioli, Peter Jaszi, and Martha Woodmansee
           Forthcoming, University of Chicago Press, 2009

Description:

Contents:

Yochai BENKLER (Law, Harvard University),
“Designing Cooperative Systems for Knowledge Production: An initial Synthesis from Experimental Economics”

Mario BIAGIOLI (History of Science, Harvard University),
“Patent Specification and Political Representation: How Patents Became Rights”

Rosemary J. COOMBE (Communications and Cultural Studies, York University),
“Intellectual Property in Regimes of Neo-Liberal Governmentality: Locating Community Subjects and Their Traditions”

Peter DI COLA (Economics, University of Michigan),
“An Economic View of Legal Restrictions on Musical Borrowing and Appropriation”

Tarleton GILLESPIE (Communications, Cornell University),
“Characterizing Copyright in the Classroom: The Cultural Work of Anti-Piracy Campaigns”

Cori HAYDEN (Anthropology, UC Berkeley),
“No Patent, No Generic: Pharmaceutical Access and the Politics of the Copy”

Paul ISRAEL (Edison Papers Archive, Rutgers University),
“The Flash of Genius: Defining Invention in the Era of Corporate Research”

Adrian JOHNS (History, University of Chicago),
“The Property Police”

Jonathan KAHN (Law, Hamline University),
“Inventing Race as a Genetic Commodity in Biotechnology Patents”

Christopher KELTY (Communications, UCLA),
“Inventing Copyleft”

Daniel J. KEVLES (History, Yale University),
“Protections, Privileges, and Patents: Intellectual Property in Animals and Plants since the Eighteenth Century”

Lawrence LIANG (Alternative Law Forum, Bangalore),
“Beyond Representation: The Figure of the Pirate”

James LEACH (Anthropology, University of Aberdeen),
“Constructing Aesthetics and Utility: Copyright, Patent, and the Purification of Knowledge in Art and Science Collaborations”

Tim LENOIR and Eric GIANNELLA (Jenkins Collaboratory, Duke University),
“Technological Platforms and the Layers of Patent Data”

Evelyn LINCOLN (History of Art and Architecture, Brown University),
“Margins of Invention: Rededicating Women’s Prints in Early Modern Italy”

Fiona MURRAY (Sloan School, MIT),
“Patenting Life: How the Oncomouse Patent Changed the Lives of Mice & Men”

Dotan OLIAR and Chris SPRIGMAN (Law, University of Virginia),
“Intellectual Property Norms in Stand-Up Comedy”

Marc PERLMAN (Music, Brown University),
“Global Regulation of Intangible Cultural Heritage: Between Stewardship and Ownership”

Alain POTTAGE (Law, London School of Economics) and Brad SHERMAN (Law, University of Queensland), 
“Kinds, Clones, and Manufactures”

William RANKIN (History of Science and School of Design, Harvard University),
“The ‘Person Skilled in the Art’ Is Really Quite Conventional: U.S. Patent Drawings and the Persona of the Inventor, 1870-2005”

Elizabeth SALEM (History, Case Western Reserve University),
“’May the Great Bird of the Galaxy Watch Over You’: Star Trek Fan Ficton and the Perception of Authorship”

Pamela SAMUELSON (Law and Information, UC Berkeley),
“The Strange Odyssey of Software Interfaces and Intellectual Property Law”

Marilyn STRATHERN (Anthropology, University of Cambridge),
“Social Invention”

Kara W. SWANSON (History of Science, Harvard University),
“Authoring an Invention: Patent Production in the Nineteenth Century United States” 

Martha WOODMANSEE (English and Law, Case Western Reserve University),
“Publishers, Privateers, Pirates: Eighteenth-Century German Book Piracy Revisited”