|
|
|
Conjunctions/Disjunctions
between Aesthetics and Politics I: Sensibility and Subjectivity
Session 14, 8:30-9:45 in Thomas Paine B
|
Chair:
Scott DeShong, Quinebaug Valley Community College
|
|
|
(1) |
"Articulating
the Seams: Race as Aesthetic, Race as Political"
Scott DeShong, Quinebaug Valley Community College
|
|
|
|
(2) |
"On
Aesthetic Judgment and W.E.B. DuBois: A Kantian Reading of 'New
Negro' Poetics"
Erika R. Williams, Wellesley College
|
|
|
(3) |
"Anaesthetic
Criminals, Oversensitive Artists: Havelock Ellis' and Max Nordau's
Aestheticism"
David Wallace Pansing, Brown University
|
|
|
|
|
|
|
|
Conjunctions/Disjunctions
between Aesthetics and Politics II: Social/Aesthetic Order
Session 30, 10:15-11:30 in Thomas Paine B
|
Chair:
Mary V. Marchand, Goucher College
|
|
|
(1) |
"The Aristocracy of Finer
Senses: Bourdieu's Rules of Art, the Ideology of Gifts, and the
Politics of Aesthetic Perception"
Mary V. Marchand, Goucher College
|
|
|
(2) |
"The Value of Nothing: The
Beggar's Opera, Ballads, and the Idea of 'Strict Poetical Justice'"
Steve Newman, Temple University
|
|
|
(3) |
"The Poetics of Nearness,
The Politics of the Open: Gadamer and Contemporary American Avant-Garde
Verse"
Judy Halden-Sullivan, Millersville University of Pennsylvania
|
|
|
Respondent:
David K. Heckerl, Saint Mary's University
|
|
|
Conjunctions/Disjunctions
between Aesthetics and Politics III: Film and Television
Session 41, 1:00-2:15 in Thomas Paine B
|
Chair:
Jennifer Barker, Indiana University |
|
|
(1) |
"H.D.
and Leni Riefenstahl: Film and the Politics of Beauty, 1927-1934"
Jennifer Barker, Indiana University
|
|
|
(2) |
"La
Pauvreté de ces Moyens: Lettrist Film Criticism and the
Portrayal of the Radical"
Ally Field, Harvard University
|
|
|
(3) |
"Radical
TV?: Towards the Construction of Ethical Engagement in Buffy
the Vampire Slayer"
Rachel Smith, Rutgers University
|
|
|
|
|
|