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 With support from the Department of English and the Center for Law, Technology, and the Arts at Case Western Reserve University School of Law; the History of Science Department at Harvard University; the Washington College of Law at American University; and the Morris Fishbein Center for the History of Science and Medicine at the University of Chicago This conference interrogates the social and cultural construction of invention - the diverse ways in which invention has been conceptualized in the arts and sciences in the broadest sense, including literature, the fine arts, entertainment, the physical and life sciences, law, economics, medicine, engineering, agriculture, education, communications, computation, finance, and business. Emphasis will be on the institutional cultures, rhetorics, and histories of invention across these fields. In this way the Society seeks to extend and deepen the inquiry of its long-standing project on "Intellectual Property and the Construction of Authorship" (see www.cwru.edu/affil/sce/IPCA_main.html). The conference will include lectures and panel discussions; to facilitate discussion, papers selected for panels will circulate in advance of the conference. Topics may include (but are not limited to):  the author as inventor  the inventor as author  imitation and originality  psychologies of creativity  pathologies such as writer's (or inventor's) block  genius  hack(ing)s  tradition and the individual talent, including the anxiety of influence  forgery  crimes such as plagiarism and piracy  the inventor as hero  invention vs. discovery  simultaneous discovery  joint/collective invention  useful and useless knowledge  the idea /expression distinction  invention vs. innovation  material and social inputs to invention  invention policy  narratives of invention  depictions of invention, including patent drawings  invisible invention  invention in rhetorical theory  genre and invention  invention and memory  invention in popular and children's literature  pedagogies of invention  invention and self-help, including creativity workshops and invention promotion services  cross-cultural perspectives on invention  invention and power  imperialism and invention  universities and invention  rhetorics of entrepreneurship  representations of collaboration  corporate authorship/invention  economies of invention  legal incentives and disincentives  private and public domains  discourses of intellectual commons, including free software and open source  collage and sampling  geographies of invention  ethnography of invention  gender and invention 
 
 
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